STERNEN UNIVERSITÄT
STERNEN UNIVERSITÄT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit
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PART   XII
  114  
 
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH
     
         
 
The Fields of Knowledge
in the Musical Representation


   
 
Thus, mu­sic de­picts the range of knowl­edge of our ecol­ogy in the force-field of the mu­si­cal tone-space, the field of in­di­vid­ual knowl­edge it dis­plays in the motif-space, and the world of so­cial knowl­edge it il­lus­trates in the mu­si­cal force-field of the se­quence-space; but the per­fect func­tion­ing of na­ture in its en­tirety is dis­played, in a su­pe­rior or bet­ter in a “su­per-natu­ral” sense, too, by mu­sic in the space of the har­mony.

 
The Musical Systems of Order as Fields of Description of the Reality
 
 
The motif-tech­nique de­scribes in­di­vid­ual un­fold­ment, and the ex­pres­sion of this de­scrip­tion is the melody.
So, the melody dis­plays the very in­di­vid­ual course of life, and when in the po­lyph­ony many melo­dies are brought to un­fold­ment si­mul­ta­ne­ously and mingle with each other, then it may occur that the lis­tener iden­ti­fies his per­sonal course of life with the in­di­vid­ual motif un­fold­ments be­cause he finds his own in­ner po­ten­tial of un­fold­ment de­scribed in them.

 
Individual and Cosmic Ways in Music
 
 
Then, in the proc­ess of lis­ten­ing to mu­sic, he treads in­di­vid­ual, maybe uni­ver­sal or even cos­mic ways of un­fold­ment which he might – with­out the stimu­lus from out­side through the clas­si­cal mu­sic – not so read­ily set foot on for fear of rous­ing sus­pi­cion, with him­self or even with oth­ers, of be­ing insane.

 
The Cognitive Process of the Music Listener
 
 
The con­ven­tional sci­en­tific sys­tem of phi­loso­phy keeps clear off and at the great­est posssible dis­tance from any sort of unac­cus­tomed specu­la­tion and con­sid­era­tion.
For on the flat level of verbal rea­son­ing, incon­clu­sive non­sense is eas­ily iden­ti­fied.

 
Music and the Conventional Scientific System of Philosophy
 
 
Clas­si­cal mu­sic com­pletely ig­nores con­clu­siveness in terms of sim­ple logic; it fully con­cen­trates on the goal to be reached and be­haves, if nec­es­sary, com­pletely uncon­ven­tional or ir­ra­tional on the way.

 
Differences of Philosophical Rules
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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UNIVERSAL
MUSIC THEORY 2

XII.
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH

The Path of Knowledge and the Goal of Truth

The Fields of
Knowledge in the Musical Representation

The Musical Way of Cognition to Wisdom and Happiness of Life

Absolute Love of Truth
in Music

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition