UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
STERNEN UNIVERSITÄT
STERNEN UNIVERSITÄT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
Faculties:
Music & Musicology
|
Philosophy
|
Medical Sciences
|
Education
|
Pythagoras
|
Consciousness
|
Humanities
|
Natural Sciences
|
The Dragon
|
The Veda
|
Culture
|
Opera & Arts
.
.
.
Deutsche Übersetzung in Arbeit
Home
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Motto
The Cosmic
Education Program
Introduction
Academic Institutes
Peter Hübner
Developer of the University
.
Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals
UNIVERSAL
MUSIC THEORY 1
I.
The Process of
Creating Music
II.
The Classical Teaching Scope of Music
III.
The Inner Mechanics
of Creating Music
IV.
Didactics of Music
V.
The Force-Fields in Music
VI.
The Purpose of
Music Tradition
VII.
Space and Time in Music
VIII.
The Physics of Music
IX.
The Systems of Order in Music
X.
Scientific Fundamentals of Music Aesthetics
XI.
The Science of Music
XII.
Music & Speech
.
.
PART V
NATURAL MUSIC CREATION
THE FORCE-FIELDS IN MUSIC
The Musical Performers and Their Laws
The Motif
The Masculine and the Feminine Musical Motif
Training the Free Formative Will
Motif Recognition
Motif-Technique
Power and Powerlessness of Musical Interpretation
Scenes from the Inner World of Human Evolution
Integration of Levels of Creativity
The Differentiated Apprehension of the Power of the Harmony
Perfection of the Formative Forces in Music
The Melody
The Manifold Shape of the Melody
The Path of the Human Character in the Musical Form
The Sequence in Music
The Gate of Harmony to the Outer Music
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